cfiks

,

  • home
  • about us
  • research
    • Built Environment and Architecture
    • Food Systems in Ghana
    • Indigenous Performming Arts
    • Indigenous Plural Legal Systems
    • Knowledge Systems
    • Reference Work
    • Social and Cultural Systems
  • community
    • Ashanti Region
    • Brong Ahafo
    • Central Region
    • Crafts People - Wood Carving
    • Eastern Region
    • Upper East Region
    • Volta Region
    • Volta Region
    • Western Region
  • publications
    • Documents
  • gallery
  • cultural symbols
    • Arts and Crafts People - Metallurgy
    • Crafts and Arts People - Wood Carving
    • Introduction
    • Media In Which Cultural Symbols Occur
    • Metallurgy
    • Visual Metaphors and Cultural Knowledge
  • contact us
still loading....

Gold Weights Metal Caster Kofi Dwumfour

Gold Weights Metal Caster Kofi Dwumfour

If there is any one person who has helped keep the art of casting gold weights alive, that person is Kofi Dwumfour. Kofi is the resident metal (brass) caster at the National Cultural Center in Kumasi. He was born in 1964 and lived briefly in Abidjan, La Cote d'Ivoire (Ivory Coast), where his father worked as a blacksmith. When his family moved back to Ghana they settled in Krofrom. Krofrom, in the Kumasi suburb, is one of the crafts villages that are dotted around the Asante capital.

Just when Kofi started formal schooling at the local primary school, he was also apprenticed to Agya Ofori, a renowned metalcaster at Krofrom. Agya Ofori taught Kofi the cire perdue (lost wax) process of metal casting. Kofi learned to cast gold weights (abrammoo), masks and containers like "kuduo." After he graduated from the apprenticeship, he set up his own shop in another part of the town. He has been the resident metal caster at the National Cultural Center for about nine years.

Kofi's work is singularly important because it marks the transition between the art of yesterday and that of today. Kofi creates works which, though based on the traditionally accepted forms, have an air of modernity about them. He, for example, makes gold weighs with hooks on them so that they can be worn as lockets on neck chains.

Kofi's shop is at the National Cultural Centre, Kumasi.

Click here to visit gallery

    Youtube
    Twitter
    Facebook

LASTEST POST

loading..

Akan Chief's Umbrella Finials

Jan 25, 2016

loading..

Adinkra Symbols and Higher-order Symmetry

Jan 01, 2016

loading..

Metal Casting in Ghana

Dec 18, 2015

loading..

Towards National Identity and National Integration in Ghana

Dec 18, 2015

loading..

Adinkra Symbols and Akan Political Beliefs

Dec 18, 2015

loading..

Plantain's Nutritional and Health Benefits

Nov 18, 2015

loading..

Adinkra Cloth Symbols and Mathematics - Part 3

Nov 06, 2015

loading..

Adinkra Cloth Symbols and Mathematics - Part 2

Nov 06, 2015

loading..

Adinkra Cloth Symbols and Mathematics

Nov 06, 2015

loading..

MATHEMATICAL PATTERNS IN AFRICAN AND AFRICAN-AMERICAN HAIRSTYLES

Mar 19, 2015

loading..

Math in the Art of Braided Hairstyles

Mar 20, 2015

loading..

Fancy Coffins

Mar 18, 2015

loading..

How culture influences health beliefs

Mar 18, 2015

loading..

Herbal and Plant Medicine In Ghana

Mar 12, 2015

loading..

Food In Ghana

Mar 12, 2015

BACK TO TOP

©(c) 2001-2010 K. Arthur & Centre For Indigenous Knowledge Systems (CEFIKS). All rights reserved.